One metronome at a slow click can put an entire auditorium to sleep.
Setting ten at random intervals will stimulate chaos, temporarily. Eventuallyall metronomes will synchronize back into the environment that they were designed for: Static Time
Film/album/sync
Ideally, the syncopation of the acoustic space drives the experience of forward motion into visual space
Dynamic Time
It is a palpable sensation.
If you have never walked out of a movie theater after an hour
You may not have the conviction necessary
To separate the shit from the shh
Since the environment is confined to a ▪️, the brain assumes it is receiving 100% of available stimuli.
The brain is trickstered into thinking that the syncope of the acoustic space is driving us forward into the visual space of the Screen (a car is a camera). As you “move foward”, the syncopation triggers synchronization as a natural mechanism of survival.
The brain assumes the trip is undergoing the audacity of actually occurring and, hopefully, triggers the amygdaloid paranoid.
running through forests tracking hyper-dimensional bear traps capable of downloading haptic environments entirely dependent upon pre-cognitive intuition
The four shapes represent the four time cycles, the four-dimensions of spacetime, and the four-fold dreaming perspective established in Finnegans Wake (explained in Coincidance by RAW)
Any name of it which is found in the book can not be applied to it prior to self-manifestation in the world, because the prime numbers of those names were producedonlyafter the emanation. . . . Moreover, a name implies a limitation in its bearer; and this is impossible in connection with the π₯
After the fall
One-hundred letter words bring
Raindrops of culture
-ejo
“Thus it develops the confidence to trust intuition in all decision making.”
This is an unconscious telepathic dream-state in which the environment is simultaneously Inceptionreal and under the control of imagination.
Radio: Acoustic space informs and propels Visual Space
Vs
Television: Visual Space defines and restricts Acoustic Space
Syncopation, in music, the displacement of regular accents associated with given metrical patterns, resulting in a disruption of the listener's expectations and the arousal of a desire for the reestablishment of metric normality; hence the characteristic “forward drive” of highly syncopated music.
Renaissance and correspondence
riverrun
In order to move forward at faster speeds, one must anticipate the next environment at a much higher level
