Appendix I: Not SO Fast

📺🌴

Syncopation is what gives music “forward drive”

One metronome at a slow click can put an entire auditorium to sleep.

Setting ten at random intervals will stimulate chaos, temporarily.  Eventuallyall metronomes will synchronize back into the environment that they were designed for:  Static Time

Film/album/sync

Ideally, the syncopation of the acoustic space drives the experience of forward motion into visual space

Dynamic Time

It is a palpable sensation.  

If you have never walked out of a movie theater after an hour

You may not have the conviction necessary 

To separate the shit from the shh

Since the environment is confined to a ▪️, the brain assumes it is receiving 100% of available stimuli. 

The brain is trickstered into thinking that the syncope of the acoustic space is driving us forward into the visual space of the Screen (a car is a camera).  As you “move foward”, the syncopation triggers synchronization as a natural mechanism of survival.

The brain assumes the trip is undergoing the audacity of actually occurring and, hopefully, triggers the amygdaloid paranoid.  

running through forests tracking hyper-dimensional bear traps capable of downloading haptic environments entirely dependent upon pre-cognitive intuition 

The four shapes represent the four time cycles, the four-dimensions of spacetime, and the four-fold dreaming perspective established in Finnegans Wake (explained in Coincidance by RAW)

Any name of it which is found in the book can not be applied to it prior to self-manifestation in the world, because the prime numbers of those names were produced only after the emanation. . . . Moreover, a name implies a limitation in its bearer; and this is impossible in connection with the 🥚

After the fall

One-hundred letter words bring

Raindrops of culture

-ejo

“Thus it develops the confidence to trust intuition in all decision making.”

This is an unconscious telepathic dream-state in which the environment is simultaneously Inceptionreal and under the control of imagination.

Radio: Acoustic space informs and propels Visual Space

Vs

Television: Visual Space defines and restricts Acoustic Space

Syncopation, in music, the displacement of regular accents associated with given metrical patterns, resulting in a disruption of the listener's expectations and the arousal of a desire for the reestablishment of metric normality; hence the characteristic “forward drive” of highly syncopated music.

Renaissance and correspondence

riverrun

In order to move forward at faster speeds, one must anticipate the next environment at a much higher level

               

Appendix A: The Men Who Stared At Kotze

                                                                                            dhyou read me HAL?

The Men Who Stare At Notes

What happens when you snap out of the black and white iron prison?

Not extra-terrestrial intelligence 

Extra-environmental intelligence 

The Internet As Seen From Space 

Gardens are machines, all environments are machines

Confinement speeds up mutations 

The two largest organs in the human body have an endo-skeleton 

The third largest has an exo-skeleton 

Only one has taken over the planet 

All environments must be considered in psychic-somatic terms

All man made environments speed up processes 

All electronic environments are an extension of human consciousness 

Water flows into any available space

Mechanical Bride meets

Medium is the Massage

The Russians were knocked out of film by color

They couldn’t handle the distortion of photographic media

Kubrick: black and white - Paths of Glory,  Lolita and Strangelove 

Kubrick Color - Spartacus, 2001(?), A Clockwork Orange (?)

I'm not a director 

🌈 🌈  🌈

I'm Stanley Kubrick

"I always thought music looked nice on paper" 

Frank Zappa

Planets are non submersible 

World religions are non submersible

Masks are non-submersible

😷 cough

: Finnegans Wake Monomyth :

: Bible Monotheism :

: 2001 Monolith :

Thunder Words : Finnegans Wake Sacraments : Bible

Non-Submersible Units : 2001

Sacraments of Initiation in 2001

Baptism : Holy Water

Confirmation : Monolith

Eucharist: Holy Blood

Sacraments of Healing in 2001

Penance: the pod confessional

Anointing of the Sick : retrieval of the body

Sacraments of Service in 2001

Holy Orders : The Jupiter Mission

Matrimony : The Starchild

The 200I Ching: A Space-Time Odyssey

“The I Ching is a nonverbal experience; out of two hours and nineteen minutes of Timewave Zero, there are only a little less than forty minutes of dialog. I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with an emotional and philosophic content. To convolute McKenna, the message is the medium.  I intended the timewave to be an intensely subjective experience that reaches the viewer at an inner level of consciousness, just as music does...You're free to speculate as you wish about the philosophical and allegorical meaning of it...but I don't want to spell out a verbal road map for the I Ching that every viewer will feel obligated to pursue or else fear that he's missed the point."

A Work In Progress

Broken Line: last page first page

Unbroken Line:  first page last page

200I Ching: A Space-Time Odyssey

Broken Line: Book/ManuScript

Unbroken Line: Film

The Mutation of the Nightmare of History into Day Light

Broken Line: Old Testament/New Testament

Unbroken Line: The Bible

The origin of the glyph is uncertain. It is usually suggested to have originally depicted either a sewing needle, specifically the eye of a needle (Hebrew קוף and Aramaic קופא both refer to the eye of a needle), or the back of a head and neck (qāf in Arabic meant “nape”).  

According to an older suggestion, it may also have been a picture of a monkey and its tail (the Hebrew קוף means "monkey")

😷qoph 😷 

QOPH

Written with a Q

Spoken with a K

Conspiracy of print

Magick of speech

KopH?

K is 11

H is 8

2001 to 2020 - 19 years

cough 😷 😷 😷 😷 😷 😷 😷 😷 😷 😷 😷 😷 😷 😷 😷 😷 😷 😷 😷 😷 😷😷 😷 😷 

How is the Mass?

“The Hermetic Corpus was a B/W version (pre-Moses) of something written in Color (post-Christ)

2001 is a colorized version (post-Christ) of something photographed in black and white (pre-Moses).”

We are shifting from the Iconic Space of Tarot

To the Acoustic Time of I Ching.  

S🐻 

🕌  VR is non-submersible : VR is a thunder word  🕌

VR is a sacrament

The Flood will not be televised

A Counter-Clockwork Orange, man

Horselover Cat

Sent from my iPhone

---

   

Back of the head

BK

Serenity, Lies, and Videotape

Ann Bishop Seinfeld lives in New York. She is unhappily married to Jerry,
a successful comedian.  They live in a Manhattan apartment.  Ann has a personal complaint about intimacy she expresses to her sister: she has never experienced an orgasm.  She is in therapy.

George Costanza is an old college friend of Jerry.  He is now seemingly a drifter with some money saved up.  Nineteen years after college, George returns to visit and perhaps live in New York.

George arrives at Jerry's apartment to find Ann home by herself.  After some small talk, Ann learns that Jerry has invited George to stay with them until he finds an apartment.  

When Jerry arrives home, George's demeanor becomes remarkably more guarded, 

due in large part to Jerry's subtle disapproval of George's bohemian persona.  

The men leave the apartment to have coffee and catch up.  

George eventually explains what happened to his ex-girlfriend Susan. 

Jerry is cheating on Ann with her sister, Elaine, a free-spirited and friendly personal assistant.  He rationalizes it by blaming Ann's frigidity.  Jerry frequently leaves his apartment mid-day to meet for trysts with Elaine, instructing his neighbor Cosmo to entertain and distract Ann.

Ann ends up helping George look for an apartment. After George finds a place, Ann makes an impromptu visit to George's apartment.  While visiting she notices stacks of camcorder videotapes, all with women's names on them around the television.  When pressed, George explains that he interviews women about their lives, sexual experiences, and fantasies, and records them on videotape.  After hearing George, Ann is suddenly overcome with shock and confusion, and quickly leaves his apartment. 

Within a day, Ann's outgoing sister Elaine appears, uninvited, at George's apartment and introduces herself.  Elaine presses George to explain what incident "spooked" Ann the preceding day.  George briefly and reluctantly explains the sexual interview videotapes, and admits to Elaine his sexual dysfunction: that he is impotent when in the presence of another person, and that he achieves gratification by watching these videos in private.  George propositions Elaine to make an interview tape, assuring her that no other person is allowed to see the tapes.  She believes him, and agrees.  

Elaine tells Ann that she recorded a videotape with George. 

Ann is horrified.  

Elaine also tells Jerry about her videotape with George.

He is also horrified. 

Cleaning her home the next day,  Ann discovers Elaine's pearl earring in her bedroom (she knows the earring belongs to her sister, since she had mentioned that she had lost it) while vacuuming.  Ann is then furious.  She heads over to George's apartment with the intention of making a videotape.  George objects, telling her making a videotape is something she would not do in a normal frame of mind.  Ann insists on making a videotape, and George relents. 

Afterward at home, Ann angrily demands a divorce from Jerry.  In the ensuing shouting argument, Jerry quickly learns that Ann has been to George's, and that she made a sexual video.  Jerry rushes to George's apartment, suddenly hits him and then locks him out of the house.  Jerry then watches Ann's tape. 

In the video, Ann says she has never felt any kind of 'satisfaction' from sex.  After George asks if she ever thinks of having sex with other men, she admits she has thought of George.  Ann later turns the camera on George, who resists, but she persists.  George confesses that he is haunted by Susan, and that his motivation in returning to New York is an attempt to achieve some closure.  George explains that he was a pathological liar, which destroyed an otherwise rewarding relationship with Susan.  He also explains that he has gone to great lengths to incorporate his love of food into sex in hopes of reversing his impotence.  Ann disappears into the kitchen, and returns with a sandwich.  She then starts touching and kissing George; George turns off the camera; it is implied that the two have sex. 

A chastened Jerry joins George on the front porch and, with obvious pleasure, confesses to having sex with Susan while she and George were a couple.  Jerry helps George to see his ex Susan in a more realistic way.  He states, "She was no saint. She was good in bed, and as Cosmo likes to say, she could really lick an envelope. That's all I can say about her." Jerry then leaves.  This statement makes George furious and he goes into a rage and destroys all of the videotapes, as well as his video camera. 

The next day, Jerry is summoned to Cosmo’s apartment.  Cosmo implies that he is about to be fired due to his frequent cancellations of meetings with important Kramerica clients while Jerry sneaks off to meet Elaine.  Jerry explains to Cosmo that Kramerica doesn't really exist.

In the next scene, Ann and Elaine reconcile at Monk’s Diner. 

Ann then goes to George's parent’s house and joins George 

at the dinner table, as they 

appear to be a couple. 

Wikipedia:  Sex, Lies, and Videotape