20120219

A Really Big Shew Part 2: A Quest Called Tribe





Marshall McLuhan's The Gutenberg Galaxy: the making of typographic man was published in 1962, and possesses an uncanny understanding of the world we live in today.  The language has a very modern feel, and is even structured in a modern way.   It reads like a newspaper, or more accurately, like a blog, eschewing long chapters for shorter bite sized chunks introduced by microcosmic titles like these:

The Gutenberg Galaxy was theoretically dissolved in 1905 with the discovery of curved space, but in practice it had been invaded by the telegraph two generations before that.

The twentieth century encounter between alphabetic and electronic faces of culture confers on the printed word a crucial role in staying the return to the Africa within.

Why non-literate societies cannot see films or photos without much training.

McLuhan argues that that the phonetic alphabet and the development of literacy had a profound effect on our sense ratios.  It changed the way our brain works.  To build his case, he references a paper by Professor John Wilson of the African Institute of London University from 1961 entitled "Film Literacy in Africa".  Wilson was using film to teach the native tribal people how to read.  A film was prepared to show the proper techniques for removing standing water,  Everything in the film was done slowly and deliberately in order to make clear the instruction.  When the audience was asked about what they had seen in the film, they replied simply that they had seen a chicken, which baffled the filmmakers because they did not know a chicken was in the film.  After carefully reviewing the film the frame by frame, a chicken did in fact appear for about one second of screen time through the righthand bottom part of the screen.

Question:  Do you literally mean that when you talked with the audience you came to believe that they          had not seen anything else but the chicken?
Wilson:  We simply asked them: What did you see in this film?
Question:  Not what did you think?
Wilson:  No, what did you see?
Question:  How many people were in the viewing audience of whom you asked this question?
Wilson:  30-odd.
Question:  No one gave you a response other than "We saw the chicken."
Wilson:  No, this was the first quick response - "We saw a chicken."
Question:  They did see a man, too?
Wilson:  Well, when we questioned them further they had seen a man, but what was really interesting was that they hadn't made a whole story out of it, and point in fact, we discovered afterwards that they hadn't seen a whole frame - they had inspected the frame for details.  Then we fond out from the artist and an eye specialist that a sophisticated audience, an audience that is accustomed to film, focuses a little way in front of the flat screen so that you take in the whole frame.  In this sense, again, a picture is a convention.  You've got to look at the picture as a whole first, and these people did not do that, not being accustomed to pictures.  When presented with the picture they began to inspect it, rather as the scanner of a television camera, and go over it very rapidly.  Apparently, that is what the eye unaccustomed to picture does - scans the picture - and they hadn't scanned on one picture before it moved on, in spite of the slow technique of the film.

Of this McLuhan writes:  "The key facts are at the end of the passage.  Literacy gives people the power to focus a little way in front of an image so that we take in the whole image or picture at a glance.  Non-literate people have no such acquired habit and do not look at objects in our way.  Rather, they scan objects and images as we do the printed page, segment by segment.  Thus they have no detached point of view.  They are wholly with the object.  They go empathically with it."

McLuhan is saying that the human being not subjected to the demands of literacy is simply not  programmed yet.   McLuhan argues that in order to do so, the sense ratios of the human brain must be adjusted like the levels of an equalizer on a stereo.

This is demonstrated quite nicely by the Magic Eye 3D picture phenomenon:



Remember, McLuhan writes that "Literacy gives people the power to focus a little way in front of an image so that we take in the whole image or picture at a glance."  The Magic Eye requires that the observer focus a little way behind the image in order to see the embedded 3D image.  The brain must be adjusted in the opposite manner, an adjustment many people find impossible.  I don't think anyone would judge a person to be of less intelligence for not being able to adjust their senses in order to see a 3D image.


READ MARSHALL MCLUHAN.  

Immersion in the Gutenberg Galaxy has changed the structure of the human brain and has created a kind of tunnel vision in some that prevents them from experiencing the world in a natural way.   I think it helps to explain this:


You can't fault a microscope for not being able to see the rings of Saturn, and you can't fault a telescope for not seeing bacteria.  Each instrument is designed to focus in a certain direction.  A ultra-literate man in a Gutenberg Galaxy simply cannot see or cannot even hear certain things because of the sense-ratios programmed into the brain.

Now, if you were to walk around this subway station with eyes crossed, in the Magic Eye Galaxy, you might get lost in the beautiful sound of the violin, but you also might walk in front of a train.  


READ MARSHALL MCLUHAN
(This large, bold print is only obnoxious to the literate man)



Now, I don't think any of this is breaking news now, and I know most people understand this concept.  But remember, McLuhan wrote about this in the early 1960's, and if you claimed to understand McLuhan in the 1960's you were considered either extremely educated or a liar.  


History is a Nightmare From Which I am
       Trying to Awake  James Joyce



In the modern world, the slightly in front focusing technique of literacy is a requirement, necessary hundreds and hundreds of times a day.  What kind of strain and stress does this require of the brain?  Try to imagine if the slightly behind cross-eyed focus of visualizing the Magic Eye was required hundreds of times a day.   Try to imagine the stress and strain of incorporating that into your daily life, and I think it becomes apparent that any permanent reprogramming of the sense-ratios will have a profound effect on the brain.

McLuhan theorizes that this reprogramming of the mind is not only responsible for tunnel vision, he also theorizes it is responsible for certain types of mental illness, specifically schizophrenia.  Now, obviously if this was a black and white issue, everyone who learns how to read and watches films would be mentally ill, and this is clearly not the case.  But this doesn't mean that McLuhan isn't on to something.  I suggest comparing McLuhan's theory with what we know about alcoholism: some people can drink alcohol, some people shouldn't drink a lot of alcohol, and some people shouldn't drink ANY alcohol.   Literacy, like alcohol, affects different people in different ways.


When I was about four or five years old, my older sister learned how to read.  Now, I had no idea specifically what it was my sister was doing, but I must have recognized that she was receiving a lot of positive attention for doing something I couldn't do, attention that I was jealous of.  This became my first obsession, and with the help of a very patient mother who would read Dr. Seuss books out loud so that I could follow along, I effectively programmed my brain and learned how to read.  Now, I don't have a crystal clear memory of all the details, but I can still recall the feeling of that "AHA" moment, when the markings on the page became words, and the words on the page became sentences, and my brain locked into the ability to read.  It was disorienting and extremely powerful.  A switch had been magically switched and a whole new universe emerged out of thin air.  This is nicely mirrored in the "AHA" moment of the person staring at the Magic Eye picture for forty-five minutes who suddenly sees the 3D image that had been there all along.

I was considerably younger than most when I learned to read.  This distinction gave me all the positive attention that I was looking for.  It gave me identity, as I was now considered "gifted",  and it gave me an incredible amount of confidence.    It also may or may not have been responsible for the emergence of "night terrors".  
  

Everyone knows the image of the frightened child as the boogey man emerges from the closet or the monster under the bed starts to creep.  I might have been afraid of these monsters in my room, but I was deathly afraid of falling asleep, of the monsters in my head, in my dreams.  My mother has told me of the many nights she was awakened by my screams, and of being unable to wake me up as I climbed the walls of my bedroom.   I think about my mother trying to console me, a frightened, suffering child, and not being able to simply because she could not wake me up.  Not good.  But a pretty good metaphor for Human History in the Gutenberg Galaxy.

I don't know for sure if my obsessive quest to reprogram my brain was responsible for the emergence of my "night terrors", but the two definitely seem connected in some way.


A Bun In The Oven

McLuhan was an optimist though, and he was very supportive of the new electronic media that was beginning to change the landscape of the world.  In 1961, he predicted that electronic media would reduce the worst symptoms associated with this phonetic dark age within the Gutenberg Galaxy, symptoms best illustrated in the conformity and schizophrenia of Industrial Revolutions and Nazi Germany.   McLuhan saw the rigid border lines of kingdom and country becoming vulnerable to an emerging tribalism that was being made possible by electronic media.
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READ MARSHALL MCLUHAN


It is 50 years since The Gutenberg Galaxy was published, and, as I see it, we are living in the future world that Marshall McLuhan foresaw.   The World Wide Web has replaced the book, the film, and the television as the most ubiquitous form of media in the world.  We literally carry it around with us in our cars, in our pockets, in our schools and in the office. Take a few moments to really grok how many new modes of communication exist, how many new channels of communication it provides, how many new "tribes" are forming.  Facebook is only eight years old, and it has already been turned into a movie, an Academy Award nominated movie.

The dominance and monopoly of The Book is dissolving, and today's students are no longer subjected to hours and hours of phonetic instruction.   Modes of education have become more "empathic", and are not as invasive.  It seems as though the Sensual Revolution is near.

It is important to stress that the World Wide Web is not a Home, or the pot of gold at the end of the rainbow.  It is an oven, a global electronic alchemical oven.  A digital Tower, and successor to that Tower of old, that multi-national alchemical melting pot known as America.  In my opinion, as long as the fires of the Web are burning, we have a fighting chance to improve the conditions of life on this planet.


(or The Invisibles, The Matrix, The Truman Show, Dark City, etc)




Despite All My Rage I Am Still Just Rat In A Maze In A Cage



A Really Big Shew












20120217

Chapter 3: What Is iAhuasca?

The name iAhuasca is derived from the word "ayahuasca".  Ayahuasca is a psychoactive plant brew said to have divinatory and healing properties.  It is made from a combination of plants native to the Amazon rainforest, specifically a vine, Banisteriopsis caapi, and the leaves of a small plant, Psychotria viridis.  Neither of these components are psychoactive on their own.  It is only when they are combined that the divinatory and healing properties manifest.   It is unknown how the formula for ayahuasca was discovered, or who discovered it.  Some say the spirits gave the recipe to the people.  Others say it was an experimental process of trial and error, sometimes referred to as alchemy.  It was probably a combination of both.

Very few of us have access to the spirit realm, but all of us have access to alchemy.  Most of us use the alchemical process and don't even realize it.  Take a standard recipe for lemon chicken.  You take this standard recipe and tweak it with different spices over many years.  Eventually that standard lemon chicken has become something new, something different.  That is alchemy.

iAhuasca is an alchemy of media.

The alchemy of media first appeared in the 1920's with the cut up technique employed by the Dada movement, but wasn't popularized until the 1950's by William S. Burroughs.  Today it can be found in everything.   Sampling, mash-ups, and collage are a few methods, and are executed on many different technical levels, from The Dust Brothers work on Paul's Boutique to "I'll Be Missing You" by Puff Daddy,

The goal of iAhuasca is an alchemy of media that isn't as much about entertainment as it is a return to the intentions of the Dadaists and Burroughs.  It seeks divinatory and healing properties.  It wants to change the way you see the world around you.

iAhuasca was born out of watching Dark Side of the Rainbow, the well known method of playing Pink Floyd's Dark Side of the Moon while watching The Wizard of Oz.  No one seems to know who first discovered the Dark Side of the Rainbow, but we do know that something uncanny happens when these two are combined.  If nothing uncanny happened while watching it, we wouldn't be talking about it.  I compare this to Finnegans Wake, another brilliant alchemical creation.  We know it isn't nonsensical bullshit because people still talk about it.



Unlike ayahuasca, or Dark Side of the Rainbow, I know how The Kubrick Transformer was discovered.  It was discovered during an intense alchemical experimentation of many months.  There are many different combinations that evolved out of this alchemy, but the specific formula that I have shared is the cleanest product.  Think of Breaking Bad and the formula for the Heisenberg Blue.  It's the shit.  It's pure, nothing cut into it, no cheating.  And the source material is of the highest quality.

I expect over time to share some of the other products that evolved out of this work, but I also want to see if others will discover them on their own.  All the materials necessary for experimentation are available, mostly everyone has a lab.  Get cooking.  Seriously, no excuses, it's still legal, and the Amazon is just a mouse click away.

Eventually, I will offer my opinion on why this occurs and what it all means, which for me starts with the Noosphere.

Vladimir Vernadsky and Pierre Teilhard de Chardin are responsible for introducing the concept of the Noosphere.  This new environment evolves out of the geosphere and the biosphere, a sphere I visualize as an eternal human being whose flesh and bones are the internet, and whose blood is human thought.  The Noosphere is in its infancy, and in the very near future,   this child will want to know where it came from, where it is, who its parents are, and why?


20120119

Chapter 2: What is The Kubrick Transformer?




Simply put, The Kubrick Transformer is a mash-up. Think of Dark Side of the Rainbow, the well known mash-up of Pink Floyd's album Dark Side of the Moon with the movie The Wizard of Oz, or The Grey Album, the mash-up of Jay-Z's The Black Album with The Beatles White Album by Danger Mouse. The Kubrick Transformer is a mash up of two Stanley Kubrick films, 2001: A Space Odyssey and The Shining, with Pink Floyd's album The Wall. The films and album are played simultaneously without interruption or edits. The starting times are specific, the set up even more specific, and only certain commercially released versions of each component achieve the desired result. So maybe it really isn't that simple.



















 How should you approach it?  

"Firstly — at least as you have already become mechanized to read all your contemporary books and newspapers.
Secondly — as if you were reading aloud to another person.
And only thirdly — try and fathom the gist of my writings.
Only then will you be able to count upon forming your own impartial judgment, proper to yourself alone, on my writings. And only then can my hope be actualized that according to your understanding you will obtain the specific benefit for yourself which I anticipate, and which I wish for you with all my being."

G.I.Gurdjieff



Gurdjieff's advice, in my opinion, is the advice any serious artist and teacher would give, and I imagine Stanley Kubrick would also recommend watching his films a few times.

To apply this Friendly Advice to The Kubrick Transformer:

Firstly - watch the first time as you would watch any movie.

Secondly - watch the second time as if you were going to explain to someone else what the movie is about.

Thirdly - watch the third time to see how well your explanation holds up.




Does the end result justify the means?


 Do I expect anyone to actually go through the hassle of obtaining the necessary components or have the patience to execute The Kubrick Transformer?








Chapter 0: My dear E, Let there be no more hesitancy"



What does the third dimension look like in two dimensions?

Any 10 year old can show you. Draw two squares, connect the corners....



A three dimensional cube in two dimensions. Sort of. It is actually the illusion of a three dimensional cube in two dimensions. A magic trick. A simple magic trick.
And depending on how you look at it, not one but two distinct cubes are observed, further evidence of the illusion.

What does the fourth dimension look like in two dimensions?


This is also an illusion. Another magic trick. A really complicated magic trick.